Menu

Logo Design in Athens | Poua Design

Logo Design: How a Logo That Lasts for Years Is Born

Short answer: A good logo is simple, recognisable, works at any size and in any medium, and says something true about the business.


Founder · Creative Director

5 min read
Avgerinos Wooden Projects logo branding iron stamped into wood — logo design by Poua Design

Short answer: A good logo is simple, recognisable, works at any size and in any medium, and says something true about the business. It isn’t a picture but a tool. Poua Design has been designing logos in Athens since 2010 with a clear process: research, concept, sketches, digital development, variations and a full delivery of files for print and web.

What makes a logo “good”

At Poua Design we judge every logo against five criteria. Simplicity: people should remember it after seeing it once. Distinctiveness: it shouldn’t look like a competitor’s. Flexibility: it should work on a 1-centimetre stamp and a 5-metre sign, in colour and in one colour. Timelessness: it shouldn’t follow a trend that will be outdated in two years. Meaning: it should connect to the story or substance of the business, so it has something to tell.

The monogram and typefaces of the Stamatina Bogea identity
Stamatina Bogea — a monogram and typographic system for traditional costumes.

The logo design process, step by step

1. Briefing and research

We start with questions: what the business does, who it speaks to, who the competitors are, what someone should feel on seeing the mark. We study the sector to understand what’s “expected” and where there is room for the brand to stand out.

2. Concept and inspiration

We look for the idea that will make the logo yours rather than generic. For the Cultural Association of Chora, Kythnos, the mark depicts the “Piatsa” of Chora, where the swing custom is revived every Easter. For Aneraides, we worked with a moodboard, variations of the mark and bespoke typography so the identity has its own vocabulary.

3. Sketches on paper

Before we open a computer, we draw dozens of variations by hand. That lets us test ideas quickly without being carried away by technology. The Chorevma sketches, for example, show how a dance movement evolved into a clean, typographic mark.

Logo design sketches for the Chorevma club
Chorevma — the first logo sketches on paper.

4. Digital development

The best directions move to Adobe Illustrator as vector files. We work on the geometry, proportions, spacing and typography until the mark is clean at every scale. We check how it looks in black, in white, on a photographic background and at very small size.

5. Presentation with mock-ups

We never present a logo “bare” on white. We show it on a card, a sign, packaging, a phone screen, so the client sees how the mark will live in practice and can decide properly.

6. Variations and final files

The final logo is delivered in every version you’ll need: primary, horizontal, vertical, symbol only, wordmark only, colour, single-colour, reverse. AI, EPS, PDF and SVG files for print and signs, PNG with transparency and JPG for web and social media. Together with colour codes in Pantone, CMYK, RGB and HEX, and the typefaces.

Illuminated sign with the Egglezos Loukas mark
Egglezos Loukas — the mark on a shop sign: the first real test for any logo.

Types of logo and when each suits

Wordmark: the name designed in distinctive typography. Suits short, distinctive names. Monogram: the business’s initials, like the calligraphic “M” of Momar Beauty Hall. Ideal for services with a personal character. Symbol with wordmark: a mark that can stand alone, accompanied by the name. The most flexible solution for businesses that will use the mark on products, applications and social. Emblem: name and symbol within a single shape, with a more “traditional” character, suited to food, drink and associations.

Logo and corporate identity

The logo is the beginning, not the end. To work, it needs colours, typography, a visual language and applications that accompany it consistently. That’s why many of our clients start with the logo and continue to a full corporate identity: cards, letterheads, packaging, signage, website. When the same studio designs it all, the result is unified.

Common mistakes we avoid

Logos with so much detail that it “disappears” at small size. Ready-made fonts used without adjustment. Colours that don’t reproduce in print. Designs that follow this year’s trend. Delivery only as a JPG with no vector files, which means that two years later the logo can’t be enlarged for a sign. We’ve seen all of these in logos we’ve been asked to “fix”, and we avoid them from the start.

Frequently asked questions

How much does logo design cost?

Cost depends on the number of proposals, the variations and whether it comes with applications. We send a quote after a short briefing, with no commitment.

How many proposals will I see?

Usually 2–3 distinct directions with their rationale. We prefer a few well-argued proposals to many rough ones.

How long does it take?

A logo project usually takes 2–4 weeks, depending on rounds of revisions.

Can I trademark the logo?

Yes. The logo is designed exclusively for you and you receive the files needed to file a trademark with the Hellenic Industrial Property Organisation (OBI) or the EUIPO.

I already have a logo. Can you refresh it?

Yes. We take on redesigns, keeping the elements your audience recognises and improving what doesn’t work.

Start your own logo

Send us a few words about your business and we’ll come back with questions and a first estimate. Contact Poua Design or see more projects.

Antigoni Poulou

Founder, graphic designer & creative director of Poua Design. She has been designing identities, packaging and print in Athens for 15+ years.

WHO WE ARE →

Got something
on your mind

Let’s look at it together — no commitment, over coffee.

CONTACT →